Pink Floyd The Final Cut 2004 Torrent

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The Final Cut (2004) [XviD - Italian English Ac3 5.1 - Sub Ita Eng] MIRCrew [TNT Village] ***** The Final Cut (2004) Titolo originale The Final Cut Paese di produzione Canada, Germania Anno 2004 Durata 95 min (ed. Inglese), 105 min (ed.

Over the course of decades, ’s 1973 album has become legendary for a lot of reasons, including the 741 weeks it spent on the album chart, the iconic cover art and the urban-legend connection to The Wizard of Oz. But this track-by-track approach to the LP centers on the music – the sounds, creation and concept behind one of the most successful, popular and celebrated albums in rock history.

“Speak to Me” The line on Dark Side isn’t just that it’s a masterpiece, but that it’s a masterpiece because the album displays Pink Floyd at the apex of the members’ collaboration. After former frontman left the psychedelic rockers rudderless, they gradually found a collective focus by 1972, with bassist handling the concepts (and lyrics), guitarist and contributing musical ideas and vocals and drummer maintaining a steady beat while messing with brain-tickling sound effects. Each of Floyd’s four members received writing credits on Dark Side, although Mason was listed as the sole composer of album opener “Speak to Me.” It was a decision that proved controversial in the later, more acrimonious days of the band (more on this in a bit). Devoid of lyrics, the one-plus-minute track isn’t much of a song. Conceived in the later stages of the album’s recording sessions at London’s Abbey Road Studios, “Speak to Me” was created as a starting point for this grand, contemplative LP. “It’s kind of a classical overture, a standard device used for hundreds of years,” Waters told in 2003, “put some elements of the work together at the beginning, as a taster.” “Speak to Me” might have been classical in concept, but it was more experimental in execution, with layers of fragmented sonic references to Dark Side’s forthcoming songs. You can hear ticking clocks (“Time”), a cash register (“Money”), crazy laughter (“Brain Damage”) and a woman’s scream (“The Great Gig in the Sky”), all interwoven with the sound of a pulsing heartbeat – created by futzing with the recording of a kick drum.

The same pulse is heard at the album’s end, suggesting a continuous cycle. When Pink Floyd debuted Dark Side’s suite of songs at live concerts (more than a year before the album’s release), the heartbeat sound stood alone as a long introduction that would transition from a venue filled with loud crowd talk to the band’s first proper tune, “Breathe.” For the recorded version, the so-called overture became shorter, but denser – not just featuring elements of other songs, but also snippets of spoken word. Waters had the idea of recording interviews with people who worked with the band or at Abbey Road Studios, and seeing if the answers might dovetail with some of the weighty lyrical themes of Dark Side. The questions would begin easy (“What’s your favorite color?”) and progress to more difficult subject matter (such as violence or mental instability). The voices on “Speak to Me” belong to the band’s road manager Chris Adamson admitting, “ I’ve been mad for fucking years,” and Abbey Road doorman Gerry O’Driscoll saying, “ I’ve always been mad  ” In fact, the track’s title came as a result of these interviews.